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Title : The Little Ark (1972)
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The Little Ark (1972)

All the elements were in place for The Little Ark to become at least a passable bit of children’s entertainment (and in fact online commentary indicates the picture made an impression on some of the few people who saw it back in the day). The historical setting of the story is interesting because the narrative takes place during a real flood that ravaged coastal Holland in the 1950s. The fictional premise is serviceable, imagining what might have happened if two children had found themselves adrift on a houseboat after flooding devastated their village. And only the most hard-hearted of viewers could begrudge the filmmakers’ intention of conveying uplifting moral lessons through a story about survival. But, wow, does The Little Ark veer off-course nearly from its first frames. The two leading actors are amateurish in the extreme, the prevalence of Biblical rhetoric is tiresome, and the actual plot is so threadbare that on regular occasions the movie drifts into tangents while top-billed actor Theodore Bikel, playing a sailor who takes the children into his protection, spews lengthy homilies. At one point, the film detours into animation when cartoons are used to depict one of the parables that Bikel narrates. Exciting high-seas adventure this is not. Neither, by the way, does the picture offer insights regarding childhood behavior or development; the kids in this picture toggle between idiotically obvious remarks and jarringly precocious commentary, regularly sprinkling their language with shout-outs to religion. In one scene, for example, Jan (Philip Frame) chides Adinda (Geneviève Ambas) for crying while they survey flood damage from the shelter of a church’s bell tower. “You’re covered with snot,” he says. “Holy apostles, you women instantly get into a fuss.” 

The Little Ark: LAME

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